Sou Fujimoto’s design for London’s Serpentine Gallery Pavilion
features a cloud-shaped grid of steel poles with varying density creating
a “nice mix of nature and architecture”. Visitors can climb up onto
transparent ledges within the structure or sit at cafe tables and chairs
incorporated in the design.
See more of the Pavilion here…
Photos by Jim Stephenson
French artist Thomas Lamadieu paints the void in his series SkyArt. His inspiration comes from the spaces in between city buildings, challenging our perceptions (and imagination) of the built form.
Read more on his work here…
Photo courtesy of Thomas Lamadieu
180 Fifth Avenue
By Minna Ninova
An urban area as densely built and crowded as Manhattan can be an exhausting place to live or work. Finding a place to rest, relax and catch your breath is essential for staying sane, which is one reason the borough’s public spaces are so highly valued. It’s also one of the reasons the city’s zoning code allows for the creation of so-called Privately Owned Public Spaces or POPS – plazas, arcades, sidewalk widenings, open air concourses, covered pedestrian spaces, and through block arcades – that are provided and maintained by a developer for public use, in exchange for additional floor area. Since their introduction in 1961, the standards governing the city’s POPS have evolved to require a variety of amenities, from simple seating to lighting, accessibility and aesthetic value. Continue reading
Recycling has never been this fun. This past January, the beautiful seaside city of Valparaiso Chile celebrated music, dance, culture and community with the Festival of the Arts. One of the stand-out events of the Festival was the unveiling of a Recycling Plaza designed by Ciudad Emergente (Emerging City (CEM)) and commissioned by the National Cultural Art Council (CNCA).